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تصنیفی وصحافتی زندگی کاآغاز

۱۹۱۸ ء میں وہ بجنور میں اپنے بڑے بھائی ابو الخیر کے پاس چلے گئے۔جہاں انہوں نے صحافت کو بطورپیشہ اپنا لیا۔۱۹۱۹ ء میں جبل پور چلے گئے جہاں انہوں نےکانگرس کے پرچہ ہفت روزہ تاج میں کام شروع کردیا اور ۱۹۲۰ ء تک مدیر کے فرائض انجام دیے۔[[1]]

مولانا کچھ عرصہ تحریک ہجرت میں بھی کام کرتے رہے۔ یہ ۱۹۲۱ ء کا زمانہ تھا کہ مولانا مودودی کا تعارف جمعیت العلمائے ہند کے قائدین مولانا مفتی کفایت اللہ اور مولانا احمد سعید سے ہوگیا۔ وہ مولانا کی صلاحیتوں سے بے حد متاثر ہوئے ۔اور انھیں جمیعت کے اخبار "مسلم" کی ادارت کی ذمہ داریاں سونپ دیں جو انہوں نے ۱۹۲۴ ء تک نبھائیں ۔[[2]]بعد ازاں جب مسلم الجمیعۃ بن گیا تو اس میں مولانا ادار ت کے فرائض انجام دیتے رہے ۔مولانا نے ۱۹۲۵ میں الجمیعۃ کے اداریوں میں "اسلامی قوت کا اصلی سر چشمہ " کے عنوان سے مسلسل مضامین شائع کیے جنھیں شبیر نیاری نے مرتب کیا ۔ ان مضامین کو کتابی شکل میں شائع کیا جس کا نام " اسلام کا سر چشمہ قوت"ہے ۔اس کتاب کے شائع ہونے سے پہلے "الجہاد فی الاسلام " کو ہی مولانا کی پہلی تصنیف خیا ل کیا جاتا ہے ۔[[3]]



[[1]]         ایضا ً۔

[[2]]          عبدالعزیزبلوچ، مفسرین عظام اوران کی تفسیری خصوصیات ، اسلامک پبلی کیشنز، لاہور، ص۱۹۸۔

[[3]]         فقیرمحمد ،اصول تفسیر وتاریخ تفسیر ،ترجمان القرآن، لاہور،۲۰۰۰ء، ص۱۳۳

Technologies of Working on Graphic Materials in Fine Arts Classes

This article discuses technology used to develop graphic material in fine arts classes. The purpose of fine arts classes is to teach students to draw on a variety of graphic materials; to teach them to see, comprehend, understand and appreciate the beauties of being and art; to develop aesthetic and artistic taste, to expand the scope of artistic thought; to develop artistic creativity and imagination, to help them find their own style, their own way of creativity.

أمرونہی کی دلالت کا تحقیقی و تطبیقی جائزہ

A Researched and Implemented Analysis of the Meaning of Command (AMR) and Forbiddance (NAHI) (According to the opinions of ulame e usool) The thesis is in the field of Islamic law and within Islamic law it is specialized in the field of Usool e Fiqh. The detailed study is based on the concept of Amr and Nahi and their meaning and application under the rulings of Usool e Fiqh. Mostly Ahkam of Shariah in Islam hava been given in the form of those things which are under the category of commands (Amr) and forbiddance (Nahi). That is why it is necessary to research that which is a command and forbiddance. In this thesis firstly, the literal meanings of commands and forbiddance has been researched. Through this research it has been proved that the literal meaning of commands (Amr) are related to "Nisbat e Irsalya or Ba'asiya which has means the nature of the relationship between commander and commanded is to act in one direction. It has also been proved that forbiddance (Nahi) is related to "Nisbat e Zajariya or Imsakya" which means the nature of the relationship between the forbidder and the forbade is to refrain from acting in one direction. Also certain phrases have been used to describe the meaning of command (Amr) and forbiddance (Nahi) which have also been researched and explained as to their relationship to providing the meaning of Amr and Nahi. After establishing the connection of Amr and Nisbat e Irsalya, the concept has been further researched on how to prove the meaning of Amr for Wujoob, Istihbab, and Ibaha which are also part of Ahkam e Shariah. Similarly for Nahi it has also been researched how to prove its meaning for Hurmat and Karaha which are also part of ahkam e shariah. We have also discussed in the final chapter some of the different but still logical meanings of and applications of Amr and Nahi in different circumstances which are different to the literal meaning and the rules of interpretation as given above but still within the meaning of Ahkam e Shariah.
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